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<\/a><\/p>\nI was wearing Escada<\/strong> blazer and dress, Barbara K. Germ<\/a> accessories and Converse<\/strong> sneakers.<\/em><\/p>\n Miro Mi\u0161ljen<\/strong> is our young controversial designer, he is a believer in pure creation through the language of fashion. There is an interesting story behind his Mary Magdalene<\/strong> collection. His inspiration comes from the ladies of the night \u2013 prostitutes of Amsterdam. Their garments invite passers to their embrace; the patterns open a reflection on the life of stigmatized friends from the night.\u00a0 To say this collection is complex is something of an understatement. On the runway there was an equal sense of intense, detailed labor in what Mi\u0161ljen produced. The detailed lace and adding big colorful flowery \u201chats\u201d made the collection a hidden link between a story and the fashion world. A smart accessory was added to the collection \u2013 a man in a dress, it emphasized the darkest hour just before the dawn<\/em>.<\/p>\n \u201cThe journey is the essence of women\u201d was the slogan that described the collection ID<\/strong> of Sofia Nogard<\/strong>. Patterns, colors expose all aspects of the gentler sex. Versatile patchwork, contrasts symbolize a layered personality and detailed bright colors soften the rustic materials. The playful experimenting with pattern cutting had something of a very art-ish feel about them; the tailoring made the eye mix color a optical perfection. Nogard chose her most known fabrics like, the nubby wool of a geometrical-detail jacket or her soft leather accessories that score the highlight of a cold winter atmosphere.<\/p>\n Fashion designer Tanja Zorn<\/strong> also dressed the models in in contrasting lines, playing with light and darkness. Her collection Chiaroscuro<\/strong> was not what many expected, the jackets were made by what it looked like scratchy materials from an old stuffed toy, garments that looked unfinished and the breezy dresses at the end\u2014those were better off ignored. Still, there were other items worth calling out, notably a full black gown with half sleeves, among the finer pieces was also a demure cocktail dress in black lace with varying degrees of transparency \u2013 Tr\u00e8s chic!<\/em><\/p>\n \u00a0\u201cWho\u2019s the animal here and who\u2019s the man? Who\u2019s afraid of whom now?\u201d\u00a0 Was the issue of Simona Munc \u2013 Niti niti<\/strong> and her I will survive<\/strong> collection. This is actually as obtuse a statement as it first sounds. The cave man look suggested we were in for something different at Niti Niti today, but all we were served was just colors that were grayed-out and foggy. Materials and knits were dusty and we were shown designs that we already have in our closets. This was merely a show, far from calling it a fashion show. Lack of focus has been a recurring theme this seasons collections, as more than a few designers seem to have taken an \u201cdown-at-the-heels\u201d <\/strong>approach to putting together their looks.<\/p>\n \u00a0 But last is always the sweetest. Describing Alice\u00a0<\/strong>Bossman’s<\/strong>\u00a0collection she would say “Construction. Deconstruction. Forms. Lines. Details. Volumes. Wearable. Comfortable. Feminine. ” And so it was. She had a natural yet smart approach to style with a tactile lineup full of hushed nude tones and rich neutrals, which are unusual for winter season. There were things here that might at first appear to be mere decoration\u2014the cascading zippers of fabric, which completed her collection to the fullest. \u00a0It\u2019s safe to say that her big bang collection was the infinity of tailoring, throughout the very last piece.<\/p>\n<\/a><\/p>\n<\/a><\/p>\n<\/a><\/p>\n<\/a><\/p>\n<\/a><\/p>\n<\/a><\/p>\n<\/a><\/p>\n<\/a><\/p>\n